It's the day after the election, and that's all I'll say about that. (As written, but I delayed hitting publish button for a day.)
You get books today. Some think paper books are quaint and outmoded. They'd rather read on a device. Which mostly is fine when it comes to text. Screens are better now, and there's lots of handy things a device can do that a paper book cannot. Like give you the definition of a word by clicking on it, as opposed to putting the book down, picking up another book or device and looking that word up, which is a likely path to being distracted along the way, which might perhaps lead to a happy coincidence.
I was getting distracted there. But images. A hand held device sucks when it comes to images, especially really nice images. The screen is just so small, and images on a device, even a good desktop computer monitor, look different than they do in print, and typically not better.
After all, a book image looks the way the photographer wants it to look. An image on the screen could have had any number of alterations. How the screen is set up for brightness and colour balance are the main issues, but even the very dimensions of the image could be altered. Don't get me started on the damage done by "optimizing" for the web.
You can hold a book in your hands and see the image as the photographer intended, within the limits of printing and publishing technologies. When you're looking at a book, you're almost certainly paying attention to it, unlike the fraction of a second as you scroll past a photo on IG.
New Zealand by Helmut Hirler. I'm not sure how I didn't blog about this before. Closest I got is here. I chatted with him a bit about his approach. He does research, then rides his motorbike to the place and camps out. The most important step is to wait for the light to be right for what he wants. The images are amazing! Doubly so if you like wide, panoramic images in black and white or infra red.
Canadian Photographs by Geoffrey James. My big question about this is why the photos are laid out as they are. It made no sense to me at all. I wasn't impressed with the photos, as near as I could tell they could have been taken by any tourist on a trip.
From here down is a draft that I found. I'm not sure when it dates from, but it could be several months back.
The Changing Face of Portrait Photography by Shannon Thomas Perich
Not a comprehensive list of portrait photographers and their work, but a selection from the earliest days to now. A interesting read, seeing how photographers struggled with their limitations, and a sampling of their work.
This has gone back to the library, and I don't remember the details now. It was pretty darn scholarly.
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